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2012-11-18 by Pablo J. Davis Leave a Comment

Mysteries & Enigmas of Translation: To translate or not to translate – DREAMers

Dear readers,

The 2012 presidential election underscored the active influence of people of Latin American origin on the political, not to mention the social, cultural, and economic life, of the United States.

Against this backdrop, a social movement has been born: young Hispanics/Latinos, brought to the US as children via informal immigration (to persist in calling it “illegal” flies in the face of logic, not to mention basic decency), now dream of college study, work, and access to all the possibilities of a full life.

Signs at a march in favor of the DREAM Act. Note the verbatim allusion in the middle sign to the famous phrase pronounced by Martin Luther King, Jr. at the 1963 Poor People’s March on Washington.

 

Why do they call themselves “Dreamers” and not the Spanish Soñadores?

All languages import foreign words. English “passport” comes from French, “hoosegow” from Spanishjuzgado. Thinking of the recent hurricane, “levee” is French in origin, “dike” Dutch.

Spanish took English input, French menú, Arabic alcohol, Náhuatl tomate (the last three entered English, too).

They’re “loan words” but, oddly, are never returned!

Some linguists classify loans either as legitimate, supplying a void in the borrowing language (English had no way to say “alcohol” other than to use the Arabic word, and Spanish likewise), or as “barbarisms” made unnecessary by the prior existence of an equivalent word or words (why use chauffeur when we already had “driver”?). But the foreign word, far from being unnecessary, tends to offer, usefully, a different tone or connotation.

This helps us understand “Dreamers”. First, the movement seeks passage of the DREAM (Development, Relief and Education for Alien Minors) Act; that name, with its patriotic undertones, makes sense on petitions and protest signs.

And what could be more natural for a generation growing up in the US and steeped in its culture, than to tap the inspiration and emotional power of the term “American Dream”— not to mention the echoes of Dr. King’s immortal phrase.  The logic underlying this use of “Dreamers” is compelling. Sometimes, we translate best by not translating.

¡Buenas palabras!

Pablo

Copyright ©2012 Pablo J. Davis. All Rights Reserved.

A version of this essay, together with its English-language version, was originally written for La Prensa Latina(Memphis, Tennessee), appearing in the 9 Sept. 2012 edition. It was part of the weekly column entitled Mysteries & Enigmas of Translation/Misterios y Enigmas de la Traduccion.

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2012-11-18 by Pablo J. Davis Leave a Comment

Mysteries & Enigmas of Translation: Why is Lionel Messi shouting?

Dear reader,

Sports headlines around the Spanish-speaking world this week proclaim Barcelona soccer star Lionel Messi’s “78 gritos” (literally, 78 shouts) so far this year.

Lionel Messi celebrates after scoring a goal for the Argentine national soccer team. Of the 78 goals he has converted so far in 2012, 12 came in the albiceleste (white and sky blue) of the Argentine national team, the other 66 and counting with theazulgrana (blue and scarlet) of FC Barcelona .

These gritos, it’s understood, are gritos de gol,shouts of celebration after scoring.  With the pair he netted Nov. 11 against Mallorca, the brilliant Argentine surpassed the record set by “O Rei Pelé” (King Pelé, a phrase almost always used in Portuguese), the immortal Brazilian’s 75 goals in calendar year 1958. He added two more against Zaragoza on Nov. 17.

Lio has nine games left to pursue Gerd Müller’s all-time mark of 85 (set in 1972).

Like “head” (of cattle), this grito is what linguists call a metonymy: a thing (a goal) named by one of its parts (the celebration afterwards).

American English can’t quite convey the emotion and frenzy around the special, infrequent occurrence that is a goal in soccer. “Shout” and “celebration” don’t work in this context. Are we doomed to the blandly literal “goal”?

The language comes alive, on the other hand, to name baseball’s home run: “homer”, “dinger”, “tater” (potato), “round tripper”, and “four bagger”, to name just a few.

Detroit Tigers star Miguel Cabrera connects for one of his 44 home runs of the 2012 campaign. The Venezuelan slugger’s epic season earned him the Triple Crown (led league in home runs, RBI, and batting average), something no player had achieved since 1967.

Now that’s a richness, a lushness of vocabulary, that can stand toe-to-toe with Spanish’s lexicon of the goal, with its tanto (score), golazo (brilliant goal), pepa (pip or seed), pepino (cucumber), pepinillo (pickle), and on and on. And let’s not forget grito!¡Buenas palabras!

Pablo

Copyright ©2012 Pablo J. Davis. All Rights Reserved.

This essay was originally written for the 25 Nov. 2012 edition of La Prensa Latina (Memphis, Tennessee), as part of the weekly column “Mysteries & Enigmas of Translation” along with its Spanish-language version.

Filed Under: Interflows Language+Culture Blog Tagged With: "Pablo J. Davis", baseball, béisbol, Cabrera, certified, comparative, cultura, cultural, culture, Davis, deporte, English, English-Spanish, español, fútbol, goal, gol, goles, Hispanic, Hispano, home run, Julián, language, Latin, Latin American, Lionel, Lionel Messi, Messi, Miguel, Miguel Cabrera, Pablo, Pablo Davis, Pablo Julián Davis, soccer, Spanish, sports, terminology, traductor, translation, translator, vocabulary

2012-11-13 by Pablo J. Davis Leave a Comment

Tuesday the 13th… the Friday the 13th of the Spanish-speaking world (and vice-versa)

ENLACE AQUI PARA ESPAÑOL/LINK HERE FOR SPANISH

Imagine you’re translating a document, from English into Spanish. Say it’s a letter, dated Tuesday, November 13, 2012 (that’s today).  How do you translate that into Spanish? Well, that’s not too difficult: you’d render it as ‘martes, 13 noviembre 2012’.

Martes 13, Tuesday the 13th: a combination of day and date that are the object of widely-held popular superstition in the Spanish-speaking world.

 

(Like November 2012, the month of January 1931 had a ‘martes 13’ – Tuesday the 13th. By the famed artist and cartoonist Florencio Molina Campos, whose humorous but loving depictions of old-time scenes and characters of the  Pampa have adorned wall calendars in Argentina for the better part of a century. Molina Campos was admired by Walt Disney, with whom he struck up a friendship.)

The bad luck commonly held to attach to ‘martes 13’ actually comes in a double dose. To the triskaidekafobia (a terrific Greek word, composed of thirteen+fear, that has the lovely property of sounding exactly like the thing it designates) that Hispanic/Latin American culture shares with Anglo-Saxon and many others across the world, is added a negative apprehension surrounding Tuesday. Tuesday aversion is not common in the English-speaking world (though in the cycle of the work week, it’s certainly not many people’s favorite day). Think of the nursery rhyme foretelling a child’s fortune from the day of its birth (“Tuesday’s child is full of grace…”), or old Solomon Grundy who was “christened on Tuesday”.

In Spanish, though, the name for the second day following the Christian Sabbath is martes, Mars’s Day.  Around this deity, most commonly known as the Roman god of war (equivalent to the Greeks’ Ares), spin a series of negative qualities: aggression, duplicity, hostility, selfishness. Reputedly despised by both his parents, Zeus and Hera, Mars could be worshipped for his valor and power (and apparently Venus did so), but perhaps more often feared. Herein lies at least part of the reason why Tuesday’s stock is so low in Hispanic-Latin American culture. “Día martes,” goes the well-known folk saying reflecting this, “no te cases ni te embarques” [On Tuesday, marry not nor set sail].

So, thinking of all these associations, let’s go back to our little translation problem. Only now, let’s imagine the year is not 2012 but rather 1980, and what we need to ‘move across’ (the original, physical meaning of ‘translate‘) from English to Spanish is not the date of a letter but the title of a movie. Specifically, director Sean Cunningham’s newly-released horror flick Friday the 13th (still with us almost a third of a century later, having reached twelve installments and a grand total of eleven different directors; is anyone truly in suspense over whether there will be a Part 13?).

With strict ‘dictionary accuracy’, we could release the film under the title Viernes 13.  But to tap into the deeper resonances within Hispanic/Latin American culture, maybe we would better off shifting the day of the week to Tuesday and rendering the title as Martes 13.  And that’s exactly what happened in Peru, Argentina, Uruguay, and other countries of the Spanish-speaking world. However, the direct or ‘dictionary’ translation was used in still other countries, including Mexico and Spain.

One result of this convoluted set of circumstances: the association of Friday the 13th with bad luck, not native to Hispanic/Latin American culture, has to some extent been ‘imported’ from the English-speaking world—due to the power of what is often called popular, and might more accurately be termed commercial, culture.

And, let us not forget, it’s due also to the influence of an often overlooked group of ‘unacknowledged legislators’: members of the translators’ profession, whose decisions can have a significant impact on human affairs. What’s at stake is clearer when we think of the texts of laws and treaties, or the way that a statesman’s words are translated in a tense international negotiation. But even in this seemingly trivial example of a movie title, there are ‘real world’ implications. People’s likelihood of making certain personal or economic decisions—travel, a purchase, an apartment rental—is influenced by beliefs regarding numbers, dates, days of the week.

More adventures in the world of translation, this science, craft, and art all at the same time! And never more challenging than when cultural phenomena are what we’re translating.

© Copyright 2012 by Pablo J. Davis. All Rights Reserved.

A version of this essay appeared at https://interfluency.wordpress.com on Tuesday, Dec. 13, 2011.

Pablo J. Davis, PhD, CT is an ATA (American Translators Association) Certified Translator, English>Spanish, and a Supreme Court of Tennessee Certified Interpreter, English<>Spanish. With over 20 years of experience, he has particular specialties in the legal, business, and medical fields. Contact info@interfluency.com or 901-288-3018 if you need world-class translation or interpreting between the English and Spanish languages. His company Interfluency Translation+Culture also delivers interactive, informative, and inspiring cultural-awareness training to businesses, churches, schools, and government agencies.

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2012-10-23 by Pablo J. Davis Leave a Comment

Is Día de los Muertos the Mexican Halloween?

Grinning skulls, jangling skeletons… candies, cakes, and other sweets… Halloween is almost upon us, and so too is the festival known in Mexico as ‘Día de los Muertos’ or more simply ‘Día de Muertos’.  They are just two days apart: in 2012, Halloween falls on a Wednesday (Oct.31) and el Día de los Muertos –  often rendered in  English as ‘the (Mexican) Day of the Dead’ – on Friday (Nov.2).  Surely they are two near-identical cultural equivalents! Surely they ‘translate‘ clearly and correctly one to the other!

But do they really? Just as the Spanish word ‘amigo’ (or ‘amiga’) and English ‘friend’ may be side-by-side in bilingual dictionaries, yet tend to mean quite different things to the people using them – and the same can be said for familia/family, fiesta/party, and countless other culturally significant word pairs – so Halloween and Día de los Muertos share some key symbols and the time of year but are radically different phenomena.

The (often unsuspected) differences between what many people think of as equivalent holidays is not quite what is meant by the term  ’false friends’.  The latter term refers to words that appear to the foreign speaker to mean one thing, due to their similarity with a familiar word in her language, but that in fact mean something different.  An English speaker, on reading in Spanish that ‘Gómez sufrió repetidas injurias a manos de Pérez’, may imagine that Pérez repeatedly assaulted Gómez, causing him physical injuries; when in fact, Spanish ‘injuria’ means insults, lies, slander, and other sorts of verbal attacks.  False friends can be tricky, but ultimately are fairly easily caught and corrected by speakers with good mastery of both languages.

Not so cultural phenomena.  There the differences are more subtle, may not even be captured by the bilingual dictionary.  Most English speakers, for instance, more readily use ‘friend’ where a Spanish speaker tends to use ‘compañero’ or ‘colega’, reserving ‘amigo’ or ‘amiga’ for a closer relationship. In other words, ‘amigo/amiga’ is a harder title to earn – we can think of it as perhaps socially more ’expensive’ – than is ‘friend’. No criticism of either culture meant here: it’s simply a cultural difference, an important one that can cause hurt and misunderstanding when not perceived by one side or the other.

What does all this mean for Halloween and the Día de los Muertos?  These two holidays, seemingly close equivalents if not downright interchangeable, map very differently onto the two cultures.  Halloween is largely about defying and even mocking death, about neutralizing its terrors by rendering them theatrical.  There is a kind of daring play involved, a dancing around the macabre.

In Mexican culture, el Día de los Muertos is something else entirely.  One celebrates, remembers, honors, one’s deceased loved ones – parents, grandparents, aunts and uncles – it’s common to hear people speak of ‘mi muertito’ or ‘mi muertita’ (my beloved dead one) for a deceased father or grandmother, spouse or sibling. Ancient, pre-Columbian and pre-Christian traditions of ancestor worship and love were intertwined, over the colonial decades and centuries that unfolded after Contact and Conquest, with the Christian calendar and rites to create something new: scholars of religious history and culture refer to ‘syncretic’ religious practices.  Thus the celebration of the Día de los Muertos came to coincide with All Souls Day, or the Commemoration of the Faithful Departed, on the Christian calendar.

The ramifications of ritual involved in this festivity are elaborate and complex.  The baking of cakes in the form of skulls and skeletons, the making of skeletal figurines often fully dressed and adorned with hats and other accessories, the fashioning of altars bearing photographs of beloved dead and containing offerings to them, the creation of satiric verses, and a rich graphic tradition of death-related iconography (most famously in the work of José Guadalupe Posada, whose ‘La Catrina’ is above left) are just some of the flowerings of festive practice that the Día de los Muertos has given rise to.

Though there are some cultural-religious practices elsewhere in Latin America that have some commonalities with El Día de los Muertos – for instance, the cult of ‘San La Muerte’ (Saint Death) in the Guaraní cultural zone of northern Argentina, southern Brazil, and Paraguay, deeply rooted in the populace but rejected by the Catholic Church as pagan practice – there is nothing quite like El Día de los Muertos and its centrality in Mexican culture.

Still, the wholeness and acceptance in the face of mortality, and the imperative of sustaining connection with loved ones no longer living, that are the heart of Mexico’s Día de los Muertos form a thread that runs through much of Latin America’s cultural map. Argentina’s Atahualpa Yupanqui, wrote half a century ago in his memorable anthem, ‘Los hermanos’:

Yo tengo tantos hermanos     I have so many brothers and sisters
que no los puedo contar.        that I can’t count them all.
En el valle, la montaña,          In the valleys, in the mountains,
en la pampa y en el mar.        On the pampas and at sea.

Cada cual con sus trabajos,    Each one with his work,
con sus sueños, cada cual.      with her dreams, each one.
Con la esperanza adelante,     With hope before them
con los recuerdos detrás.         And memories behind

. . .

Y así, seguimos andando                And so we go on,
curtidos de soledad.                        Hardened by loneliness
Y en nosotros nuestros muertos  And inside us, we carry our dead
pa que nadie quede atrás.              So that nobody’s left behind

Yo tengo tantos hermanos             I have so many brothers and sisters
que no los puedo contar . . .          that I cannot count them all . . .

In the end, interpreting cultural phenomena across languages challenges us to a subtlety of understanding even beyond what translation usually demands.  Things that look the same can be fundamentally different.

Copyright ©2011-2012 by Pablo J. Davis. All Rights Reserved.
This essay originally appeared at http://interfluency.wordpress.com in October 2011. It is being republished this year with  an accompanying Spanish translation.

Filed Under: Interflows Language+Culture Blog Tagged With: "Pablo J. Davis", bilingual, certificado, certified, cross-cultural, cultura, culture, Davis, Día de los Muertos, Día de Muertos, English, español, Halloween, Hispanic, Hispano, inglés, Interfluency, interpretación, intérprete, interpreter, interpreting, Julián, Pablo, Pablo Julián Davis, Spanish, traducción, traductor, translation, translator

2012-10-23 by Pablo J. Davis Leave a Comment

Mysteries & Enigmas of Translation: The Cha-Cha… and One More Hot Tamale

Dear reader,

This week let’s consider two Spanish words and their English translations: chachachá (that infectious rhythm born in Cuba) and tamal, which we looked at some weeks back.

From that musical colossus, Cuba, there emerged around 1953 another in a long line of dance sensations, a gently upbeat creation by composer, violinist and bandleader Enrique Jorrín.  It derived from the danzón, a rhythm generally played by smaller orchestras of refined or “French” sound, known as ”charangas”, with melodies typically carried by flute and violin.

Jorrín called his rhythm chachachá due to its triple rhythmic figure and the swishing sound of the dancer’s shoes against the floor. (The original onomatopoeia apparently was shashashá.)

In English, it loses the chá and becomes simply “cha-cha”: the name no longer reproduces the rhythm. But why?  We can suspect that phonetics played a role: it’s not easy for English speakers to pull off chachachá’s three crisp syllables (though musicians typically have no such trouble).

Phonetics, too, helped make “tamale” the English singular of Spanish tamal.  Besides the logical (though incorrect) inference that the singular of tamales was tamale, people’s ear told them that “tamale” sounded better in English—it has a pleasing sway and even conveys an exotic note in naming a food that for a century has been delighting North American taste buds.

So: one case of something lost, and another of something gained, in translation.

¡Buenas palabras!

Pablo

A version of this article appeared in La Prensa Latina (Memphis, Tennessee) published Oct. 21, 2012, along with a Spanish-language version.

Copyright © 2012 by Pablo J. Davis. All rights reserved.

Filed Under: Interflows Language+Culture Blog Tagged With: "Pablo J. Davis", certificado, certified, cha-cha, chachachá, comparative, cultura, cultural, culture, Davis, English, English-Spanish, español, Hispanic, Hispano, inglés, Interfluency, interpreter, interpreting, Julián, Latin, Latin American, Latino, Pablo, Pablo Julián Davis, Spanish, Spanish-English, traducción, traductor, translation

2012-10-17 by Pablo J. Davis Leave a Comment

Mysteries and Enigmas of Translation: You say “tamal”, I say “tamale”

Dear readers,

Tamales have been a favorite food in the US for over a century.  Oddly, Spanish tamal is generally not used in the singular—English speakers tend to say “a tamale”.

This use is so widespread, especially in the phrase “hot tamale” (already a favorite item for sale from roadside stands and urban street vendors before the First World War), that it must be considered the correct English singular.

Another common phrase, “a (real) hot tamale”, describes a physically attractive woman, with a likely added connotation of sparkling, magnetic personality.

Why does English use this “incorrect” singular?

One hypothesis: English speakers inferred from the Spanish plural tamales that the singular must be formed by removing final ‘s’ (the English rule). Linguists call this “back-formation”; it’s how the verb “televise” arose from “television”, or “gruntled” as a humorous opposite of “disgruntled”.

The other possibility: the indigenous (Nahuatl) singular,tamalli, was widely used in old Mexican North/US Southwest Spanish dialect; Anglos might have picked up “tamale” that way.

But retroformation is highly likely.  It’s what’s behind “a frijole” (instead of frijol), for instance.

The process occurs in all languages. In medieval Spanish, Sant’Iago (Saint James) became Santiago; retroformation led people to believe the saint’s name was Tiago (San Tiago).  From there came the “invention” of the name Diego, highly popular today.

¡Buenas palabras!

Pablo

PS For a further reflection on “tamale” vs tamal, please click here.

A version of this essay first appeared in La Prensa Latina, Memphis, Tennessee, on 23 Sept. 2012.

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2012-10-09 by Pablo J. Davis Leave a Comment

Mysteries & Enigmas of Translation: Of “piropos”, praise, and pick-up lines

Dear readers,

An attractive young woman walks gracefully down the street, inspiring a gentleman standing at a storefront to call out, “¿Qué culpa tiene el árbol de haber nacido en el campo, y qué culpa mi corazón por amarte tanto?” [A tree stands on the ground where it was born, my heart by hopeless love is torn].

That rather old-fashioned scene features a free rendering into English of the sort of elegant, even poetic, compliment known in Spanish as a piropo (original meaning: a ruby or red garnet). This gallant form of praise  for  a  lady’s  charms,  though  scarcer  than  fifty or a hundred years   ago   on   the   streets   of   Zacatecas,   Ponce,  or Maracaibo (gentlemen’s remarks to ladies in the public thoroughfare now tending to the somewhat less  poetic),  still remains part of  everyday Hispanic/Latin American culture.

http://tinyurl.com/tuejanica2 offers some vintage piropos along with poetry on the subject and reflections on the waning, if not outright extinction, of the custom.

Translators  find  a  particular  challenge  and fascination  in  words  like  piropo  that name a concept either non-existent in the other language, or not central enough to the culture to have any simple means of expression. Dictionaries offer us either explanations that don’t exactly roll smoothly  off   the   tongue   (the Oxford Concise’s  “flirtatious/flattering  comment”),  or expressions that lose the spice and charm of the original (the Espasa-Calpe’s rather flat “compliment”).Some even use the still more pedestrian translation “line,” as in something a fellow might routinely use in a bar—likely far less poetic or gallant than what’s meant by  piropo.

Your thoughts, readers? Is there a good English equivalent for piropo—the word itself, or the custom it names?

¡Buenas palabras!

Copyright ©2012 Pablo J. Davis. Se reservan todos los derechos. All Rights Reserved. A version of this essay was first published, alongside its Spanish version, in La Prensa Latina, Memphis, Tennessee, on 19 August 2012.

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2012-09-15 by Pablo J. Davis Leave a Comment

Mysteries & Enigmas of Translation: Taking and giving a test, and other mirrors

Dear readers,

It’s a pleasure to begin this series of explorations into language, and particularly into the curiosities and riddles of translating between English and Spanish.  I invite you to explore with me, starting with some cases of “mirrors” in which the same concept is expressed in opposite ways in the two languages.

One curious case: giving or taking a test.  In English, the teacher gives the test, the student takes it.  The Spanish situation is more complex.  In some countries (e.g. Peru, Chile, Argentina), it’s reversed: El estudiante da (gives) el examen, el maestro lo toma (takes it).

This isn’t because the student hands the completed exam to the teacher; rather, the logic is historical: in past times, oral examination was much more common in schools.  The teacher tomaba (took) the exam, in much the way that a judge would tomar declaración (hear or receive testimony).

In other countries, usage can be different.  In Mexico, for instance, the teacher usually da (gives) the exam, which the student tiene (has) or toma (takes).

However, in formal Spanish everywhere, students rinden (give) an exam.

Another mirror that can lead to confusion has to do with the word substitute.  In English, “to substitute pepper for salt” means to use pepper instead of salt.  In Spanish, the mirror sentence sustituir pimienta por sal means to drop pepper and use salt.

Moving from one language to another is fascinating—but sometimes traps of confusion lie in wait if we’re not careful!

Buenas palabras,

Pablo

This essay was first published, alongside its Spanish version, in La Prensa Latina, Memphis, Tennessee, on 22 July 2012.

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2012-05-18 by Pablo J. Davis Leave a Comment

Friday thought: Why “See you Monday” ≠ “Hasta el lunes”

All over the US on a Friday like today, millions of people are wishing co-workers a good weekend and saying “See you Monday.” What if you wanted to say it to a co-worker from Mexico, Colombia, or Puerto Rico—in Spanish?  Translating directly from English, you might say, “Nos vemos el lunes” (literally: We’ll see each other on Monday) or perhaps, a little more freely, “Hasta el lunes” (Until Monday).

But to most Spanish speakers, those phrases will sound a little threadbare.  Something is missing… But what?

Just three little words:  “Si Dios quiere.”  This is how a large proportion of Spanish speakers would utter the common end-of-workweek farewell: “Hasta el lunes, si Dios quiere.”  Si Dios quiere: If God so wishes, or, in more idiomatic English, God willing.

So why is this phrase so important?  Is Latin American and Spanish culture so much more deeply religious than that of the United States? Do most Spanish speakers live in constant fear of accident and illness? Or could it be that the phrase isn’t really that important? Perhaps it’s just a little remnant, a cultural tic whose meaning is lost. Perhaps it’s like saying “God bless you” when someone sneezes, a gesture without real import.

I suggest that it’s more than that… quite a bit more.  The key lies in the discomfort that most native Spanish speakers tend to feel when they hear the phrase uttered without those three little words. It’s hard to put that discomfort into words: perhaps it’s that the phrase sounds too self-assured, too smug… too proud. Overconfident. Perhaps even a little impious, a little blasphemous. Who knows what Monday will bring? Who knows what the future has in store? Keep in mind: this is almost never a conscious thought.  Rather, it’s a deeply held, almost entirely unconscious standpoint towards life.

A close relative of this phenomenon is found in the common conversational exchange of inquiring after one another’s well-being.  “¿Cómo estás?” (How are you?) is most frequently answered not simply with “Bien” (Fine) or “Bien, gracias” (Fine, thanks), or even “Bien, gracias ¿y tú?” (Fine, thanks, and you?)—but, rather, “Bien, gracias a Dios” (literally: Fine, thank God).

These phrases wouldn’t sound natural in most everyday English-language contexts.  In certain settings it might, such as a religious community.  There, something like, “Fine, praise God!” is not unusual.  If we think of older generations—perhaps our grandparents’ generation, or that of their parents—we may also remember hearing phrases like this in English. In rural and small-town settings, folk(sy) expressions like, “Lord willing and the creek don’t rise” are still fairly unremarkable.

In ordinary, spoken English, though, responding to “How are you?” with “Fine, thank God!” makes the asker wonder if the other person has just survived an auto accident, a serious illness, or some other ordeal. Try the thought experiment yourself: or better yet, do an actual social experiment and reply, “Fine, thank God!” to the next person who asks how you are doing. Watch that person’s face and you’ll very likely see surprise or puzzlement.

Ultimately, these three little words (“Si Dios quiere” and “Gracias a Dios”) suggest a lot about what it’s like to live in the culture that Spanish language expresses.  The feelings about the world, and the premises underlying those feelings, are different.  To those who have grown up bilingual, and carry in their bones the sensation of moving back and forth across cultural boundaries—what I call Interfluency, the name of my translation and cultural-training company—there are subtly, but unmistakably, different ways of being alive in the world on one or the other side of the boundary.

In English, particularly US English, there is a confident, even bold attitude towards the future and an expectation of success. In Spanish, by contrast, there is at least a gesture of humility, a small linguistic ceremony of respect in the face of life and its uncertainties.  If this attitude can be called religious, it certainly does not belong to any one church or denomination.  “God” may be thought of as the deity or simply as a way of talking about the unknowable.

For those interested in exploring these issues, I recommend Javier Villatoro’s lovely and perceptive essay, “Dios mediante: la percepción cultural del futuro en la lengua española”—of which I only became aware as I was finishing these lines.

More broadly, I would point readers to the wisdom in the Spanish master Miguel de Unamuno, and particularly in his Tragic Sense of Life (El sentimiento trágico de la vida, first published in English translation in 1921). For me, “Si Dios quiere” has something to do with the tragic sense—tragic not in any morbid or pessimistic way, but rather in a recognition of life’s uncertainties and human limitations.

Those uncertainties, those limitations somehow find little place in contemporary US English with its sleek surfaces and aerodynamic speed. But their recognition still breathes in the very pulse of Spanish, and to have grown up in that language is to feel that recognition.

“Si Dios quiere”—like the largely passé English God willing, the Portuguese (Spanish’s fraternal twin) Se Deus quiser, the Arabic Inshallah (whose direct descendant, “ojalá” is still deeply entrenched in contemporary Spanish), the Hebrew and Yiddish Halevai—can be seen, then, as bearing witness to a deeply rooted view of life.

That it’s more than a mere verbal formula, more than an empty gesture, is borne out by the unease most people of Latin American or Iberian birth or origins feel at the bare brashness of an unqualified “See you Monday!”

*   *   *

Thanks for visiting.  Your thoughts on what’s written here, whether of the ‘Amen, brother!’, the ’I agree in part, but I wonder if you’ve considered…’ or even the ‘You’re crazy!’ variety, are very welcome. Please comment, and if you find time spent at this blog worthwhile, please consider subscribing. Nos vemos pronto: See you again soon… si Dios quiere.

Pablo J. Davis, Ph.D., CT, received his graduate training in Latin American History at Columbia and Johns Hopkins Universities and a Certificate from the University of Buenos Aires, Argentina; his undergraduate studies were at the University of Maryland, College Park. He is Principal and Owner of Interfluency Translation+Culture, delivering seamless, world-class translation and interpreting to the legal community and other professions, as well as innovative, interactive, and inspiring cultural-awareness training.

Filed Under: Interflows Language+Culture Blog Tagged With: American, comparative, confidence, cultura, culture, Dios, English, español, everyday, everyday culture, Friday, future, God, God willing, greetings, hispana, Hispanic, Hispano, inglés, intercultural, Interfluency, interpreter, interpreting, language, languages, Latin, Latin American, latina, Latino, optimism, phrases, Si Dios quiere, Spanish, translation, translator, US, weekends

2012-05-04 by Pablo J. Davis Leave a Comment

Cinco de Mayo not the ‘real’ Mexican national day?

The sense of shared identity that binds an immigrant group together in its adopted home is no mere transplanting of old-country customs.  It involves creativity and innovation—and a dual process of celebrating ancestral ties while affirming group emergence into the fabric of life in the new country.

Calabrians, Sicilians, Tuscans, Abruzzians and other immigrants from the Italian Peninsula began to draw together in the late-19th-century U.S., just when a unified ‘Italy’ was being born.  Columbus Day, Oct. 12 (also, later, ‘Día de la Raza’ or ‘Day of the Hispanic/Latino People’) grew by the 20th century into an Italian-American affirmation.  For the Irish, whose history of mass immigration here is a half-century older, St. Patrick’s (St. Paddy’s) Day plays a similar role, as has Oktoberfest for German-Americans.

So, curious Americans’ periodic discovery that Cinco de Mayo –the Fifth of May—isn’t the ‘real’ Mexican national holiday (that would be Independence Day, Sep. 16), somewhat misses the point of the day: the affirmation of Mexicanness in a new land.

It commemorates not Mexico’s winning of independence from Spain (1821) but a more complex historical moment: Liberals’ 1862 military victory in the Battle of Puebla over French invaders and their Conservative allies.  Starting in the mid-1840s, Mexico was wracked by a sequence of horrors unimaginable to most Americans—half of national territory lost in the U.S.-Mexican War; prolonged civil war triggered by the Liberals’ (most famously Benito Juárez’s) anti-clerical, anti-aristocratic reforms; a British-French-Spanish triple invasion, ostensibly to collect debts from a land bled dry by war; and finally a full-blown French occupation in alliance with the civil war’s defeated Conservatives.

The Mexican triumph at Puebla, against a superior French force double in size, forms an imperfect and contradictory part of the larger historical story.  Ironies abound in its celebration.  For one thing, after Puebla the French actually prevailed, ruling Mexico for three years.  Also, a key figure at Puebla, young Gen. Porfirio Díaz, later became a dictatorial president whose endless, corrupt reelections eventually triggered the Mexican Revolution.

There are more ironies: the French had long dreamed of achieving footholds in former Spanish America.  In the 1830s, geographer Michel Chevalier coined the term ‘Latin America’—a completely novel invention designed to make France’s ambitions in the Americas sound natural and logical. It caught on among many newly-independent Mexicans, Argentines, Chileans, etc.,  eagerly seeking identities separate from Spain.  Moreover, the ruler Napoleon III sent to take the Mexican throne, Maximilian, was a naïve and ill-starred monarch who proved too liberal for the Conservatives, and awkwardly solicitous of Indian and mestizo peasants’ rights.  Eventually executed, he and his wife (haunted by madness during her widowhood) became tragic, romantic figures with a contradictory place in Mexican memory.

So Cinco de Mayo is not Mexico’s national holiday, not the commemoration of independence from Spain, nor of definitive victory against the French.  But Puebla preserves the memory of an unexpected victory after a generation of endless invasion, war, and loss.  As such, it has become a forum for expression of the new and continually evolving ways of being, and proudly feeling, Mexican in the United States—as well as an opportunity, partly superficial and commercial to be sure, for Americans to interact with Mexican culture.  Literally hundreds of local celebrations across the U.S. mark the day.

In an era when Mexico’s sons and daughters here face twin scourges of economic crisis and political vulnerability unlike any in living memory , it’s possible that Cinco de Mayo has never been quite as important as it is today.

Pablo Julián Davis

Pablo J. Davis, Ph.D., CT, received his graduate training in Latin American History at Columbia and Johns Hopkins Universities and a Certificate from the University of Buenos Aires, Argentina.  He is Principal and Owner of Interfluency Translation+Culture, delivering seamless, world-class translation and interpreting to the legal community and other professions, as well as cultural awareness training.

Filed Under: Interflows Language+Culture Blog Tagged With: "Pablo J. Davis", Cinco, Cinco de Mayo, Columbus Day, comparative, comparison, cultura, culture, Davis, German, German-American, Hispanic, Hispano, history, holidays, identity, immigrants, immigration, Interfluency, Irish, Irish-American, Italian, Italian-American, Italy, Julián, Latin, Latino, Mayo, Memphis, Mexican, Mexican-American, Mexico, Oktoberfest, Pablo, Pablo Julián Davis, St. Paddy's, St. Patrick's Day, States, traducción, traductor, translation, translator, United, United States, USA

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