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"Pablo J. Davis"

2012-11-22 by Pablo J. Davis Leave a Comment

Thanksgiving: translating the name, tracing the meaning(s)

The fourth Thursday in November is here, and with it a holiday largely peculiar to the United States, yet at the same time universal in its origins as a harvest celebration. Thanksgiving Day, or, in Spanish, Día de Acción de Gracias.

Norman Rockwell’s 1943 painting, Freedom From Want, used an idealized scene of a family Thanksgiving meal to illustrate one of the “Four Freedoms” enunciated by President Franklin D. Roosevelt as the values for which the country was at war.

As an annual celebration, it can be traced back continuously not to the early 17th century and the first encounters between English colonists and Massachusetts natives, but rather to 1863, in the midst of the US Civil War. Before then, various presidents had declared a Day of Thanksgiving in certain years, but it was not an annual ritual. In fact, the third president, Thomas Jefferson, had declined entirely to do so, believing it a violation of the separation of church and state for the chief executive to urge prayer on the citizenry.

To many ears, Día de Acción de Gracias has the ring of merely an awkward, too-literal translation of the English name. Other versions can be found in the Spanish-speaking world: Día de las Gracias(Day of Thanks), Día de Gracias (Day of Thanks, more briefly expressed), and even the tongue-in-cheek Día del Pavo (Turkey Day).

In fact, acción de graciasis the Spanish term (as is ”thanksgiving” in English), in both Catholic and Protestant traditions, for a special Mass or service, as well as a prayer of thanks to God.  In other words, long before the invention of this holiday in the United States, a theological and liturgical concept existed, along with a personal religious practice, of that name.

“A Soldier’s Thanksgiving” was the Saturday Evening Post’s cover for Dec. 8, 1917, the US’s first year of direct involvement in the ‘Great War’. J.C. Leyendecker was the artist. The military connection with Thanksgiving is one of the holiday’s many facets.

 

In English, the phrase to say grace (as before a meal) used to be in the plural: before Shakespeare’s time, one spoke of graces, whose meaning was simply the giving of thanks.  That older plural mirrors exactly the Spanish use, as it still exists: gracias.

In the English colonies, some years saw the authorities (whether civil or religious) declare a Day of Thanksgiving marked by prayers and feasting. In certain other years, in which bad harvests, plagues, or other misfortunes were understood to be signs of divine wrath at the community, leaders decreed days of penitence and fasting.

This mix of gratitude and humility was reflected in the later presidential proclamations of Thanksgiving, from the Civil War forward. Along with thanks to God, it was customary to express regret for national errors and a desire to mend our ways.  (An earlier proclamation, from George Washington in 1789, urged the people to “unite in most humbly offering our prayers and supplications to the great Lord and Ruler of Nations and beseech him to pardon our national and other transgressions . . . “) Somehow, by the last quarter of the 20th century, it no longer occurred to US presidents to include such a note of remorse.

The Thanksgiving holiday has assumed the widest imaginable range of forms throughout its history, and from region to region. A few examples will serve to illustrate. In the South, the day was, historically, strongly linked to hunting by the menfolk, and later an association arose with football. In New York City until well after 1900, it was a Carnavalesque occasion with more than a hint of Halloween, in which groups of children and youths masked and costumed in the raiments of poverty or danger would wander the streets of the city demanding treats from residents and passers-by, under threat of playing tricks. This sort of urban mischief led to a movement to tame or soften the holiday, making of it a tribute to middle-class domesticity. And the symbolic inclusion of members of the armed forces posted overseas, especially in wartime, has been a feature of every Thanksgiving going back to the war with Spain in 1898.

Giant balloon of the Tin Man character from The Wizard of Oz (a novelty, as the movie had premiered just the year before), Macy’s Thanksgiving Day Parade, New York City, 1940. Commercialism has been a feature of Thanksgiving for at least a century.

 

In addition to its diverse forms of celebration, the holiday has always generated the most varied interpretations and meanings. On the one hand, it elicits the affection of many people for its lack of commercialism, and for the absence of material gift-giving from its rituals: quite the contrary, its center is occupied by a meal shared with family, friends, and persons alone or in need. Nevertheless, for over a hundred years now, Thanksgiving (or at least the day immediately after) has been understood to mark the beginning of the Christmas shopping season. Leading department stores began sponsoring Thanksgiving Day parades in the early 20th century (Macy’s became the most famous, but wasn’t the first, an honor reserved for Gimbel’s parade which debuted in Philadelphia in 1920).

The holiday has also been widely seen as essentially religious in character: the thanks are given to God. Another perspective, though, is one of a more diffuse sort of gratitude, whether towards nature, one’s parents, or others. This debate is impossible to resolve: the remotest origins are doubtless religious, as Jefferson understood in opposing the idea of  a presidential proclamation. At the same time, the ever-changing, protean nature of the holiday has made of it, just as clearly, a celebration that is to a great extent secular.

Another contradiction relates to Native Americans or, as most of them prefer to call themselves, American Indians. On the hand, we note a widespread belief that Thanksgiving Day is, at least in part, an occasion of gratitude towards the native inhabitants who helped the earliest colonists survive the harsh winter in a land of whose agriculture they were utterly ignorant. On the other hand, there are those who see the holiday as an affirmation of the conquest of the American Indian and even a ritual sacrifice in which the turkey symbolizes the original human inhabitants.

The modern origin of Thanksgiving Day during the Civil War, and by the hand of President Lincoln, offers a clue for understanding another peculiarity of the holiday: its rejection, into the early decades of the 20th century, by much of the South as a Yankee imposition. Even earlier, abolitionists had used Thanskgiving as an occasion for sermons against slavery.  These antecedents together helped solidify a long-standing Southern White disdain for the holiday, in the past.

Another vital connotation of Thanksgiving Day is that of homecoming. For a people as mobile as that of the United States, the holiday had by the middle of the 19th century become the occasion for the reencounter of the country’s scattered sons and daughters with the homes of their childhood and with now aged parents.  Currier & Ives’s famous lithograph of 1867, Home to Thanksgiving, made this association visually memorable. The homecoming theme, more broadly, is presented with both comedy and pathos in the 1987 feature film, Planes, Trains and Automobiles, viewing of which has become a staple of the holiday in many homes.

Currier and Ives’s famous lithograph from 1867, crystallizes in its snowy, rural scene a notion deeply rooted in the culture of the United States: Thanksgiving as an occasion for a restlessly mobile, scattered population to return to the family homestead.

 

The endless debates about the origins of Thanksgiving Day underscore its importance as a national festival.  Symbolically, it’s understood as a performance of the very beginnings of colonization, which it ritually reenacts. Massachusetts, Maine, Florida, and other states (then colonies) dispute over where “the first Thanksgiving” happened.  This search for a genesis is a chimera. For thanksgiving, with a small ‘t’, is a gesture whose origins are lost in the mists of time. One might as well search for the first embrace, or the first wedding.  Anyway, none of the various thanksgiving feasts that occurred in this or that colony can show an uninterrupted continuity up to the present national celebration.

Today, despite its diverse and sometimes contradictory facets, Thanksgiving Day remains an indispensable date on the country’s calendar. And, as the turkey tamales, turkey curry, turkey paella, and countless other variants bear witness on millions of family tables, the holiday has proven singularly supple in its ability to welcome and incorporate generation after generation of immigrants.

Here Disney combines the sentimental “thanks, Native Americans” approach to Thanksgiving with some good, old-fashioned cheesecake.

 

Sentimentally, but with much truth, it has been said that Thanksgiving Day is a kind of national communion. Indeed, it’s hard to imagine another day of the year devoted, for almost every one of the more than 300 million who live in the United States, to a single, shared activity. The elements of simplicity, homecoming, and unity-in-diversity that mark El Día de Acción de Gracias would seem to assure its continued relevance in national culture.Copyright ©2012 Pablo J. Davis. All Rights Reserved.

Pablo Julián Davis is an ATA (American Translators Association) Certified Translator, English>Spanish, and Certified by the Supreme Court as an Interpreter, English<>Spanish. He delivers world-class translation and interpreting, as well as inspiring and interactive cultural training, through his company Interfluency Translation+Culture. He can be reached at pablo@interfluency.com.

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2012-11-18 by Pablo J. Davis Leave a Comment

Mysteries & Enigmas of Translation: To translate or not to translate – DREAMers

Dear readers,

The 2012 presidential election underscored the active influence of people of Latin American origin on the political, not to mention the social, cultural, and economic life, of the United States.

Against this backdrop, a social movement has been born: young Hispanics/Latinos, brought to the US as children via informal immigration (to persist in calling it “illegal” flies in the face of logic, not to mention basic decency), now dream of college study, work, and access to all the possibilities of a full life.

Signs at a march in favor of the DREAM Act. Note the verbatim allusion in the middle sign to the famous phrase pronounced by Martin Luther King, Jr. at the 1963 Poor People’s March on Washington.

 

Why do they call themselves “Dreamers” and not the Spanish Soñadores?

All languages import foreign words. English “passport” comes from French, “hoosegow” from Spanishjuzgado. Thinking of the recent hurricane, “levee” is French in origin, “dike” Dutch.

Spanish took English input, French menú, Arabic alcohol, Náhuatl tomate (the last three entered English, too).

They’re “loan words” but, oddly, are never returned!

Some linguists classify loans either as legitimate, supplying a void in the borrowing language (English had no way to say “alcohol” other than to use the Arabic word, and Spanish likewise), or as “barbarisms” made unnecessary by the prior existence of an equivalent word or words (why use chauffeur when we already had “driver”?). But the foreign word, far from being unnecessary, tends to offer, usefully, a different tone or connotation.

This helps us understand “Dreamers”. First, the movement seeks passage of the DREAM (Development, Relief and Education for Alien Minors) Act; that name, with its patriotic undertones, makes sense on petitions and protest signs.

And what could be more natural for a generation growing up in the US and steeped in its culture, than to tap the inspiration and emotional power of the term “American Dream”— not to mention the echoes of Dr. King’s immortal phrase.  The logic underlying this use of “Dreamers” is compelling. Sometimes, we translate best by not translating.

¡Buenas palabras!

Pablo

Copyright ©2012 Pablo J. Davis. All Rights Reserved.

A version of this essay, together with its English-language version, was originally written for La Prensa Latina(Memphis, Tennessee), appearing in the 9 Sept. 2012 edition. It was part of the weekly column entitled Mysteries & Enigmas of Translation/Misterios y Enigmas de la Traduccion.

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2012-11-18 by Pablo J. Davis Leave a Comment

Mysteries & Enigmas of Translation: Why is Lionel Messi shouting?

Dear reader,

Sports headlines around the Spanish-speaking world this week proclaim Barcelona soccer star Lionel Messi’s “78 gritos” (literally, 78 shouts) so far this year.

Lionel Messi celebrates after scoring a goal for the Argentine national soccer team. Of the 78 goals he has converted so far in 2012, 12 came in the albiceleste (white and sky blue) of the Argentine national team, the other 66 and counting with theazulgrana (blue and scarlet) of FC Barcelona .

These gritos, it’s understood, are gritos de gol,shouts of celebration after scoring.  With the pair he netted Nov. 11 against Mallorca, the brilliant Argentine surpassed the record set by “O Rei Pelé” (King Pelé, a phrase almost always used in Portuguese), the immortal Brazilian’s 75 goals in calendar year 1958. He added two more against Zaragoza on Nov. 17.

Lio has nine games left to pursue Gerd Müller’s all-time mark of 85 (set in 1972).

Like “head” (of cattle), this grito is what linguists call a metonymy: a thing (a goal) named by one of its parts (the celebration afterwards).

American English can’t quite convey the emotion and frenzy around the special, infrequent occurrence that is a goal in soccer. “Shout” and “celebration” don’t work in this context. Are we doomed to the blandly literal “goal”?

The language comes alive, on the other hand, to name baseball’s home run: “homer”, “dinger”, “tater” (potato), “round tripper”, and “four bagger”, to name just a few.

Detroit Tigers star Miguel Cabrera connects for one of his 44 home runs of the 2012 campaign. The Venezuelan slugger’s epic season earned him the Triple Crown (led league in home runs, RBI, and batting average), something no player had achieved since 1967.

Now that’s a richness, a lushness of vocabulary, that can stand toe-to-toe with Spanish’s lexicon of the goal, with its tanto (score), golazo (brilliant goal), pepa (pip or seed), pepino (cucumber), pepinillo (pickle), and on and on. And let’s not forget grito!¡Buenas palabras!

Pablo

Copyright ©2012 Pablo J. Davis. All Rights Reserved.

This essay was originally written for the 25 Nov. 2012 edition of La Prensa Latina (Memphis, Tennessee), as part of the weekly column “Mysteries & Enigmas of Translation” along with its Spanish-language version.

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2012-11-13 by Pablo J. Davis Leave a Comment

Tuesday the 13th… the Friday the 13th of the Spanish-speaking world (and vice-versa)

ENLACE AQUI PARA ESPAÑOL/LINK HERE FOR SPANISH

Imagine you’re translating a document, from English into Spanish. Say it’s a letter, dated Tuesday, November 13, 2012 (that’s today).  How do you translate that into Spanish? Well, that’s not too difficult: you’d render it as ‘martes, 13 noviembre 2012’.

Martes 13, Tuesday the 13th: a combination of day and date that are the object of widely-held popular superstition in the Spanish-speaking world.

 

(Like November 2012, the month of January 1931 had a ‘martes 13’ – Tuesday the 13th. By the famed artist and cartoonist Florencio Molina Campos, whose humorous but loving depictions of old-time scenes and characters of the  Pampa have adorned wall calendars in Argentina for the better part of a century. Molina Campos was admired by Walt Disney, with whom he struck up a friendship.)

The bad luck commonly held to attach to ‘martes 13’ actually comes in a double dose. To the triskaidekafobia (a terrific Greek word, composed of thirteen+fear, that has the lovely property of sounding exactly like the thing it designates) that Hispanic/Latin American culture shares with Anglo-Saxon and many others across the world, is added a negative apprehension surrounding Tuesday. Tuesday aversion is not common in the English-speaking world (though in the cycle of the work week, it’s certainly not many people’s favorite day). Think of the nursery rhyme foretelling a child’s fortune from the day of its birth (“Tuesday’s child is full of grace…”), or old Solomon Grundy who was “christened on Tuesday”.

In Spanish, though, the name for the second day following the Christian Sabbath is martes, Mars’s Day.  Around this deity, most commonly known as the Roman god of war (equivalent to the Greeks’ Ares), spin a series of negative qualities: aggression, duplicity, hostility, selfishness. Reputedly despised by both his parents, Zeus and Hera, Mars could be worshipped for his valor and power (and apparently Venus did so), but perhaps more often feared. Herein lies at least part of the reason why Tuesday’s stock is so low in Hispanic-Latin American culture. “Día martes,” goes the well-known folk saying reflecting this, “no te cases ni te embarques” [On Tuesday, marry not nor set sail].

So, thinking of all these associations, let’s go back to our little translation problem. Only now, let’s imagine the year is not 2012 but rather 1980, and what we need to ‘move across’ (the original, physical meaning of ‘translate‘) from English to Spanish is not the date of a letter but the title of a movie. Specifically, director Sean Cunningham’s newly-released horror flick Friday the 13th (still with us almost a third of a century later, having reached twelve installments and a grand total of eleven different directors; is anyone truly in suspense over whether there will be a Part 13?).

With strict ‘dictionary accuracy’, we could release the film under the title Viernes 13.  But to tap into the deeper resonances within Hispanic/Latin American culture, maybe we would better off shifting the day of the week to Tuesday and rendering the title as Martes 13.  And that’s exactly what happened in Peru, Argentina, Uruguay, and other countries of the Spanish-speaking world. However, the direct or ‘dictionary’ translation was used in still other countries, including Mexico and Spain.

One result of this convoluted set of circumstances: the association of Friday the 13th with bad luck, not native to Hispanic/Latin American culture, has to some extent been ‘imported’ from the English-speaking world—due to the power of what is often called popular, and might more accurately be termed commercial, culture.

And, let us not forget, it’s due also to the influence of an often overlooked group of ‘unacknowledged legislators’: members of the translators’ profession, whose decisions can have a significant impact on human affairs. What’s at stake is clearer when we think of the texts of laws and treaties, or the way that a statesman’s words are translated in a tense international negotiation. But even in this seemingly trivial example of a movie title, there are ‘real world’ implications. People’s likelihood of making certain personal or economic decisions—travel, a purchase, an apartment rental—is influenced by beliefs regarding numbers, dates, days of the week.

More adventures in the world of translation, this science, craft, and art all at the same time! And never more challenging than when cultural phenomena are what we’re translating.

© Copyright 2012 by Pablo J. Davis. All Rights Reserved.

A version of this essay appeared at https://interfluency.wordpress.com on Tuesday, Dec. 13, 2011.

Pablo J. Davis, PhD, CT is an ATA (American Translators Association) Certified Translator, English>Spanish, and a Supreme Court of Tennessee Certified Interpreter, English<>Spanish. With over 20 years of experience, he has particular specialties in the legal, business, and medical fields. Contact info@interfluency.com or 901-288-3018 if you need world-class translation or interpreting between the English and Spanish languages. His company Interfluency Translation+Culture also delivers interactive, informative, and inspiring cultural-awareness training to businesses, churches, schools, and government agencies.

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2012-10-23 by Pablo J. Davis Leave a Comment

Is Día de los Muertos the Mexican Halloween?

Grinning skulls, jangling skeletons… candies, cakes, and other sweets… Halloween is almost upon us, and so too is the festival known in Mexico as ‘Día de los Muertos’ or more simply ‘Día de Muertos’.  They are just two days apart: in 2012, Halloween falls on a Wednesday (Oct.31) and el Día de los Muertos –  often rendered in  English as ‘the (Mexican) Day of the Dead’ – on Friday (Nov.2).  Surely they are two near-identical cultural equivalents! Surely they ‘translate‘ clearly and correctly one to the other!

But do they really? Just as the Spanish word ‘amigo’ (or ‘amiga’) and English ‘friend’ may be side-by-side in bilingual dictionaries, yet tend to mean quite different things to the people using them – and the same can be said for familia/family, fiesta/party, and countless other culturally significant word pairs – so Halloween and Día de los Muertos share some key symbols and the time of year but are radically different phenomena.

The (often unsuspected) differences between what many people think of as equivalent holidays is not quite what is meant by the term  ’false friends’.  The latter term refers to words that appear to the foreign speaker to mean one thing, due to their similarity with a familiar word in her language, but that in fact mean something different.  An English speaker, on reading in Spanish that ‘Gómez sufrió repetidas injurias a manos de Pérez’, may imagine that Pérez repeatedly assaulted Gómez, causing him physical injuries; when in fact, Spanish ‘injuria’ means insults, lies, slander, and other sorts of verbal attacks.  False friends can be tricky, but ultimately are fairly easily caught and corrected by speakers with good mastery of both languages.

Not so cultural phenomena.  There the differences are more subtle, may not even be captured by the bilingual dictionary.  Most English speakers, for instance, more readily use ‘friend’ where a Spanish speaker tends to use ‘compañero’ or ‘colega’, reserving ‘amigo’ or ‘amiga’ for a closer relationship. In other words, ‘amigo/amiga’ is a harder title to earn – we can think of it as perhaps socially more ’expensive’ – than is ‘friend’. No criticism of either culture meant here: it’s simply a cultural difference, an important one that can cause hurt and misunderstanding when not perceived by one side or the other.

What does all this mean for Halloween and the Día de los Muertos?  These two holidays, seemingly close equivalents if not downright interchangeable, map very differently onto the two cultures.  Halloween is largely about defying and even mocking death, about neutralizing its terrors by rendering them theatrical.  There is a kind of daring play involved, a dancing around the macabre.

In Mexican culture, el Día de los Muertos is something else entirely.  One celebrates, remembers, honors, one’s deceased loved ones – parents, grandparents, aunts and uncles – it’s common to hear people speak of ‘mi muertito’ or ‘mi muertita’ (my beloved dead one) for a deceased father or grandmother, spouse or sibling. Ancient, pre-Columbian and pre-Christian traditions of ancestor worship and love were intertwined, over the colonial decades and centuries that unfolded after Contact and Conquest, with the Christian calendar and rites to create something new: scholars of religious history and culture refer to ‘syncretic’ religious practices.  Thus the celebration of the Día de los Muertos came to coincide with All Souls Day, or the Commemoration of the Faithful Departed, on the Christian calendar.

The ramifications of ritual involved in this festivity are elaborate and complex.  The baking of cakes in the form of skulls and skeletons, the making of skeletal figurines often fully dressed and adorned with hats and other accessories, the fashioning of altars bearing photographs of beloved dead and containing offerings to them, the creation of satiric verses, and a rich graphic tradition of death-related iconography (most famously in the work of José Guadalupe Posada, whose ‘La Catrina’ is above left) are just some of the flowerings of festive practice that the Día de los Muertos has given rise to.

Though there are some cultural-religious practices elsewhere in Latin America that have some commonalities with El Día de los Muertos – for instance, the cult of ‘San La Muerte’ (Saint Death) in the Guaraní cultural zone of northern Argentina, southern Brazil, and Paraguay, deeply rooted in the populace but rejected by the Catholic Church as pagan practice – there is nothing quite like El Día de los Muertos and its centrality in Mexican culture.

Still, the wholeness and acceptance in the face of mortality, and the imperative of sustaining connection with loved ones no longer living, that are the heart of Mexico’s Día de los Muertos form a thread that runs through much of Latin America’s cultural map. Argentina’s Atahualpa Yupanqui, wrote half a century ago in his memorable anthem, ‘Los hermanos’:

Yo tengo tantos hermanos     I have so many brothers and sisters
que no los puedo contar.        that I can’t count them all.
En el valle, la montaña,          In the valleys, in the mountains,
en la pampa y en el mar.        On the pampas and at sea.

Cada cual con sus trabajos,    Each one with his work,
con sus sueños, cada cual.      with her dreams, each one.
Con la esperanza adelante,     With hope before them
con los recuerdos detrás.         And memories behind

. . .

Y así, seguimos andando                And so we go on,
curtidos de soledad.                        Hardened by loneliness
Y en nosotros nuestros muertos  And inside us, we carry our dead
pa que nadie quede atrás.              So that nobody’s left behind

Yo tengo tantos hermanos             I have so many brothers and sisters
que no los puedo contar . . .          that I cannot count them all . . .

In the end, interpreting cultural phenomena across languages challenges us to a subtlety of understanding even beyond what translation usually demands.  Things that look the same can be fundamentally different.

Copyright ©2011-2012 by Pablo J. Davis. All Rights Reserved.
This essay originally appeared at http://interfluency.wordpress.com in October 2011. It is being republished this year with  an accompanying Spanish translation.

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2012-10-23 by Pablo J. Davis Leave a Comment

Mysteries & Enigmas of Translation: The Cha-Cha… and One More Hot Tamale

Dear reader,

This week let’s consider two Spanish words and their English translations: chachachá (that infectious rhythm born in Cuba) and tamal, which we looked at some weeks back.

From that musical colossus, Cuba, there emerged around 1953 another in a long line of dance sensations, a gently upbeat creation by composer, violinist and bandleader Enrique Jorrín.  It derived from the danzón, a rhythm generally played by smaller orchestras of refined or “French” sound, known as ”charangas”, with melodies typically carried by flute and violin.

Jorrín called his rhythm chachachá due to its triple rhythmic figure and the swishing sound of the dancer’s shoes against the floor. (The original onomatopoeia apparently was shashashá.)

In English, it loses the chá and becomes simply “cha-cha”: the name no longer reproduces the rhythm. But why?  We can suspect that phonetics played a role: it’s not easy for English speakers to pull off chachachá’s three crisp syllables (though musicians typically have no such trouble).

Phonetics, too, helped make “tamale” the English singular of Spanish tamal.  Besides the logical (though incorrect) inference that the singular of tamales was tamale, people’s ear told them that “tamale” sounded better in English—it has a pleasing sway and even conveys an exotic note in naming a food that for a century has been delighting North American taste buds.

So: one case of something lost, and another of something gained, in translation.

¡Buenas palabras!

Pablo

A version of this article appeared in La Prensa Latina (Memphis, Tennessee) published Oct. 21, 2012, along with a Spanish-language version.

Copyright © 2012 by Pablo J. Davis. All rights reserved.

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2012-10-09 by Pablo J. Davis Leave a Comment

Mysteries & Enigmas of Translation: Of “piropos”, praise, and pick-up lines

Dear readers,

An attractive young woman walks gracefully down the street, inspiring a gentleman standing at a storefront to call out, “¿Qué culpa tiene el árbol de haber nacido en el campo, y qué culpa mi corazón por amarte tanto?” [A tree stands on the ground where it was born, my heart by hopeless love is torn].

That rather old-fashioned scene features a free rendering into English of the sort of elegant, even poetic, compliment known in Spanish as a piropo (original meaning: a ruby or red garnet). This gallant form of praise  for  a  lady’s  charms,  though  scarcer  than  fifty or a hundred years   ago   on   the   streets   of   Zacatecas,   Ponce,  or Maracaibo (gentlemen’s remarks to ladies in the public thoroughfare now tending to the somewhat less  poetic),  still remains part of  everyday Hispanic/Latin American culture.

http://tinyurl.com/tuejanica2 offers some vintage piropos along with poetry on the subject and reflections on the waning, if not outright extinction, of the custom.

Translators  find  a  particular  challenge  and fascination  in  words  like  piropo  that name a concept either non-existent in the other language, or not central enough to the culture to have any simple means of expression. Dictionaries offer us either explanations that don’t exactly roll smoothly  off   the   tongue   (the Oxford Concise’s  “flirtatious/flattering  comment”),  or expressions that lose the spice and charm of the original (the Espasa-Calpe’s rather flat “compliment”).Some even use the still more pedestrian translation “line,” as in something a fellow might routinely use in a bar—likely far less poetic or gallant than what’s meant by  piropo.

Your thoughts, readers? Is there a good English equivalent for piropo—the word itself, or the custom it names?

¡Buenas palabras!

Copyright ©2012 Pablo J. Davis. Se reservan todos los derechos. All Rights Reserved. A version of this essay was first published, alongside its Spanish version, in La Prensa Latina, Memphis, Tennessee, on 19 August 2012.

Filed Under: Interflows Language+Culture Blog Tagged With: "Pablo J. Davis", America, American, certified, compliment, cultura, culture, Davis, English, español, flirting, hispana, Hispanic, Hispano, inglés, Interfluency, Julián, Latin American, latina, Latino, latinoamericana, line, male-female, Pablo, pick-up, piropo, Spanish, traducción, traductor, translation, translator

2012-05-04 by Pablo J. Davis Leave a Comment

Cinco de Mayo not the ‘real’ Mexican national day?

The sense of shared identity that binds an immigrant group together in its adopted home is no mere transplanting of old-country customs.  It involves creativity and innovation—and a dual process of celebrating ancestral ties while affirming group emergence into the fabric of life in the new country.

Calabrians, Sicilians, Tuscans, Abruzzians and other immigrants from the Italian Peninsula began to draw together in the late-19th-century U.S., just when a unified ‘Italy’ was being born.  Columbus Day, Oct. 12 (also, later, ‘Día de la Raza’ or ‘Day of the Hispanic/Latino People’) grew by the 20th century into an Italian-American affirmation.  For the Irish, whose history of mass immigration here is a half-century older, St. Patrick’s (St. Paddy’s) Day plays a similar role, as has Oktoberfest for German-Americans.

So, curious Americans’ periodic discovery that Cinco de Mayo –the Fifth of May—isn’t the ‘real’ Mexican national holiday (that would be Independence Day, Sep. 16), somewhat misses the point of the day: the affirmation of Mexicanness in a new land.

It commemorates not Mexico’s winning of independence from Spain (1821) but a more complex historical moment: Liberals’ 1862 military victory in the Battle of Puebla over French invaders and their Conservative allies.  Starting in the mid-1840s, Mexico was wracked by a sequence of horrors unimaginable to most Americans—half of national territory lost in the U.S.-Mexican War; prolonged civil war triggered by the Liberals’ (most famously Benito Juárez’s) anti-clerical, anti-aristocratic reforms; a British-French-Spanish triple invasion, ostensibly to collect debts from a land bled dry by war; and finally a full-blown French occupation in alliance with the civil war’s defeated Conservatives.

The Mexican triumph at Puebla, against a superior French force double in size, forms an imperfect and contradictory part of the larger historical story.  Ironies abound in its celebration.  For one thing, after Puebla the French actually prevailed, ruling Mexico for three years.  Also, a key figure at Puebla, young Gen. Porfirio Díaz, later became a dictatorial president whose endless, corrupt reelections eventually triggered the Mexican Revolution.

There are more ironies: the French had long dreamed of achieving footholds in former Spanish America.  In the 1830s, geographer Michel Chevalier coined the term ‘Latin America’—a completely novel invention designed to make France’s ambitions in the Americas sound natural and logical. It caught on among many newly-independent Mexicans, Argentines, Chileans, etc.,  eagerly seeking identities separate from Spain.  Moreover, the ruler Napoleon III sent to take the Mexican throne, Maximilian, was a naïve and ill-starred monarch who proved too liberal for the Conservatives, and awkwardly solicitous of Indian and mestizo peasants’ rights.  Eventually executed, he and his wife (haunted by madness during her widowhood) became tragic, romantic figures with a contradictory place in Mexican memory.

So Cinco de Mayo is not Mexico’s national holiday, not the commemoration of independence from Spain, nor of definitive victory against the French.  But Puebla preserves the memory of an unexpected victory after a generation of endless invasion, war, and loss.  As such, it has become a forum for expression of the new and continually evolving ways of being, and proudly feeling, Mexican in the United States—as well as an opportunity, partly superficial and commercial to be sure, for Americans to interact with Mexican culture.  Literally hundreds of local celebrations across the U.S. mark the day.

In an era when Mexico’s sons and daughters here face twin scourges of economic crisis and political vulnerability unlike any in living memory , it’s possible that Cinco de Mayo has never been quite as important as it is today.

Pablo Julián Davis

Pablo J. Davis, Ph.D., CT, received his graduate training in Latin American History at Columbia and Johns Hopkins Universities and a Certificate from the University of Buenos Aires, Argentina.  He is Principal and Owner of Interfluency Translation+Culture, delivering seamless, world-class translation and interpreting to the legal community and other professions, as well as cultural awareness training.

Filed Under: Interflows Language+Culture Blog Tagged With: "Pablo J. Davis", Cinco, Cinco de Mayo, Columbus Day, comparative, comparison, cultura, culture, Davis, German, German-American, Hispanic, Hispano, history, holidays, identity, immigrants, immigration, Interfluency, Irish, Irish-American, Italian, Italian-American, Italy, Julián, Latin, Latino, Mayo, Memphis, Mexican, Mexican-American, Mexico, Oktoberfest, Pablo, Pablo Julián Davis, St. Paddy's, St. Patrick's Day, States, traducción, traductor, translation, translator, United, United States, USA

2012-02-11 by Pablo J. Davis Leave a Comment

“Giants own Patriots” or “Papá Gigantes”?!!

With their stunning Super Bowl victory over the New England Patriots, the New York Giants not only became NFL champions for the second time in a five-year span, they also extended their recent, but impressive, domination of the team that has been pro football’s standard of excellence for the past decade.

The Giants, in the phrase of the hour, “own” the Patriots. (One example among thousands: “It’s Official: The Giants Still Own the Patriots“.)

Think about that for a minute! Sports domination expressed in terms of ownership—the dominated rival as the “property” of the dominator.

People in the Spanish-speaking world have a different way of talking about this sort of dominance: the language of paternity. The dominant team, metaphorically, is the rival’s father: you’re ’Papá’… and the other team? Well, ’Los tenemos de hijos’ (They’re our sons). Thus, Spanish soccer is witness to ”la paternidad ‘cule’“, Barcelona’s ascendancy over Real Madrid.  In Mexico, fans of Pumas boast of their team as “papá” of rivals Cruz Azul and Chivas. Of course, in all cases, the assertion of paternal status is disputed by fans of the supposed “hijos” or sons.

In Argentine soccer, the hinchada (fans) of San Lorenzo swagger verbally before los bosteros (fans of Boca Juniors) as “Papá Santo” and proudly calculate “Un siglo de paternidad“, a century of fatherhood, over Boca Juniors.  (Boca fans protest that San Lorenzo’s superiority in head-to-head competition extends back only as far as the professional era, which began in 1930, and that when amateur-era records are figured in, Boca actually comes out with a slight advantage.)

Boca fanatics, for their part, love to lord it over River Plate as “Papá Boca”, crowing particularly loudly now that River has suffered the humiliation of descenso—relegation to a lower league. (The illustration above right brings alive this whole sense of River as “hijo”; the Boca fan also uses his left hand to make a visual joke around the insulting nickname rivals use for River, gallinas, meaning ‘chickens’ or ‘hens’.) Indeed, there is a Facebook page entitled“Para Mi Hijo River, De Su Papá Boca” (For My Son River, From Your Daddy Boca).

While usually expressing sporting dominance as “ownership”, US culture is not completely alien to using the language of paternity. The phrase “Who’s your Daddy?” has made occasional appearances; the query became a catch-phrase of the Duke University men’s basketball team, and star player Shane Battier, around the year 2000.

The phrase really became notorious, though, during the 2003 baseball season. That year, the brilliant Dominican right-hander Pedro Martínez, one of the greatest pitchers of his generation, and at the time a member of the Boston Red Sox, was repeatedly frustrated by the New York Yankees. After a particularly galling defeat, he told reporters: “They beat me. They’re that good right now. They’re that hot. I just tip my hat and call the Yankees my daddy.”

Martínez was raked over the coals for this comment. The derision was relentless; Yankee Stadium, in particular, resounded with the chant, “Who’s your Daddy?” whenever he was pitching. Some of the glee in this mockery drew on the (at least vaguely sensed) sexual connotations of the phrase.

I am aware, though, of no one ever pointing out the sources in Hispanic/Latin American culture that were likely at play in Martínez’s unconscious mind, influencing him to express his frustration in that particular way. Martínez was also demonstrating a sense of underlying security, sportsmanship, and good humor with his remark. It’s conceivable, though, that calling the Yankees ‘Daddy’ was a mistake, actually compromising his ability to execute effectively against them. For this superlative performer and fierce competitor was, from then on, repeatedly stymied by the New Yorkers—most notably in the 2009 World Series, as a member of the Philadelphia Phillies. Or maybe the word was simply the perfect expression of the Yankees’ sustained command over him.

Still, the framework of domination-as-ownership prevails in US culture, and the framework of paternal authority in the Spanish-speaking world.  It’s no accident. Commercial relations and property rights have a salience in the English-speaking world, and particularly the United States, that Hispanic/Latin American culture lacks. It’s not that these things are absent in the latter culture, but rather that they are nowhere near as central to the popular imagination. There, instead, the family still retains much of its ancient symbolic power as the fundamental ordering unit of society, and the underlying metaphor for virtually every social relationship.

Pablo J. Davis, Ph.D., C.T. is Principal and Owner of Interfluency Translation+Culture (TM), which delivers Spanish and English translation solutions as well as interactive, inspiring cultural training.

Filed Under: Interflows Language+Culture Blog Tagged With: "Pablo J. Davis", Argentina, baseball, cultura, culture, Davis, dominance, domination, frameworks, Hispanic, interpreter, interpreting, language, Latin, Latin American, Latino, Memphis, Mid-South, ownership, Pablo, Pablo Julián Davis, Red Sox, rivalry, soccer, sports, superiority, Tennessee, translation, translator, USA, World Series, Yankees

2012-01-12 by Pablo J. Davis Leave a Comment

The funny Spanish letter with the squiggle on top

January is, of course, the month when New Year’s greetings are exchanged: “Happy New Year” in English, Feliz Año Nuevo en español. The Spanish words for “year” and for the language itself both contain the single most readily-identifiable visible marker of the Spanish language: the letter ñ, pronounced ‘EN-yeh’.  Ñ is a letter, but so much more: its cultural significance is great and seems only to be growing.

The ‘ny’ in English ‘canyon’ is the sound this letter represents. Indeed, that word comes from the Spanish cañón which can mean ‘canyon’ (like El Gran Cañón del Colorado, The Grand Canyon) or ‘cannon’ (the weapon). The job the single letter ñ does to represent the ‘ny’ sound in Spanish is done by two letters in other languages: in Italian and French by gn, and in Portuguese by nh, for instance. So lasagna is spelled lasanha in Rio de Janeiro and Lisbon, but lasaña in Caracas and Buenos Aires.

So powerful is this letter (which many non-Spanish speakers think of as an ‘N with a little squiggle on top’) as a marker of Spanish-ness that one often hears English speakers add it to Spanish words that actually have only a simple ‘N’. For instance, the habanero pepper is often pronounced in English as if it were habañero.  This sort of thing happens a lot in language and is known as ‘hyper-correction’: the speaker makes an extra effort to be correct, and overdoes it.  It’s the same reason people sometimes say “They sent a letter to he and I.”

The familiarity of ñ to English speakers, especially in the United States, is reinforced by its presence in a number of words in common use: piñata, jalapeño, mañana, niño, España, español, and others.

Extract from Antonio de Nebrija’s pioneering grammar of the Spanish language, published in 1492, a year of some significance in Spanish, and world, history

But where did this peculiar letter come from?  Historical linguists  tell us that in the Middle Ages, Spanish words originating in Latin that had a double n came to be pronounced ‘ny’. The phonetic term for this is ‘palatalization’: rather than the tip of the tongue touching the front of the palate, at the edge of the teeth, the tongue is brought all the way up to the palate, or roof of the mouth, and a larger section of the tongue touches the palate.  Thus, what had been an ‘n’ sound becomes ‘ny’. That is one part of the story—the sound.

And sound seems to be an important part of ñ‘s appeal. Some linguists of Spanish believe that the palatalization ofn is a strong phonetic tendency in infancy, which has led to a series of words beginning with ñ and having a childish (or sometimes, by extension, foolish) connotation. Some examples: ñoño (silly, insipid), ñoñería (foolishness),ñaña (nursemaid, big sister), ñato (snub-nosed, or simply a child), ñiquiñaque (person or thing of little value).  Other linguists have pointed to the ñ sound as a marker of the Spanish language’s expansion to the Americas—and the impact of the native languages of the Americas on it.  Words like ñañdú (an ostrich-like bird of South America) andñañdubay (a hardwood) come from the Guaraní.  Others testify to African influence: ñame (yam) and ñánigo(member of the Abakuá male secret societies of African origin), while still others come from elsewhere: ñoqui is simply Hispanized phonetics for Italian gnocchi.

Besides sound, the other part of the story comes to us from paleographers, who study ancient writing: parchment, the paper of its day, was very expensive; to save space, writers or copyists of manuscripts placed one n—a smaller one—atop the other. So, in truth, the ‘single’ letter ñ was born as the fusion of two n‘s. (The ampersand, not unique to Spanish, was similarly born as a digraph, or combination of two letters: Latin et, meaning ‘and’.)

Throughout the modern history of the language, then, ñ has been a distinctive, instantly recognizable feature of Spanish writing and type: the fifteenth letter of the alphabet (for centuries it was the sixteenth, as the consonant combination ch, between c and d, was fourth; the reform of the year 2010 eliminated ch, as well as ll, as separate letters of the alphabet).

The age of the computer and the Internet brought with it a serious challenge to the survival of ñ, and revealed perhaps unsuspected depths of feeling towards it among Spanish speakers.  In the early 1990s, unease arose in Spain over the exporting to that country of computer keyboards without the ñ (as well as the inverted marks that are used to open exclamations or questions).  When the Spanish Government openly expressed its distress and raised the possibility of requiring computers sold in Spain to have an ñ key, the European Community cried “Foul!” and alleged protectionism.

At the same time, a wave of emotional defenses of ñ began to surge throughout the Spanish-speaking world.  Famously, Colombian novelist Gabriel García Márquez lashed out at the “arrogance” and “abuse” in the drive to eliminate ñ for reasons of mere “commercial convenience.” The Argentine poet María Elena Walsh, beloved composer of children’s music, also defended  “this letter that is ours, this letter with its little hood, something that might seem insignificant, but is less ñoño [silly] than it might seem . . . The ñ is people.”  Somehow ñ became a symbol—the symbol—of  what was distinctive and unique about the Spanish language and the cultures that use it.

Finally, Spain passed a law in 1993 protecting ñ by requiring computer keyboards sold in the country to include it; invoking the Maastricht Treaty’s of cultural differences.  Luis Durán Rojo, from Peru, tells this story engagingly.  Of course, millions of Spanish speakers living outside of Spain and Latin America use laptops and other devices that lack an ñ key, and are not aware of how to produce that character (in Word, you press Control and Shift together, then the tilde key, then the letter n).  The Spanish of emails, tweets, and instant messages is full of attempts to render the sound either phonetically (anio and the much less common anyo), Portuguese style (anho),  or in Italian orthography (agno) for año. It is not uncommon to see ‘Feliz Ano Nuevo’—either an honest mistake by English speakers or a slightly off-color joke by hispanohablantes, as without the ñ‘s tilde it literally means ‘Happy New Anus’.

If the outcry over a ‘mere’ letter of the alphabet seems a bit silly, consider the reaction in the U.S. to the Metric Conversion Act of 1975.  That act of Congress, mandating (in an unspecified way and without a clear timetable) the “increasing” use of the metric system in the United States, created a U.S. Metric Board in charge of public education towards that end. More than one Jeremiad about the loss of our cultural identity was heard in the land; there was also ridicule (comedians joked about pushy people: “Give them 2.54 cm and they’ll take 1.6 km”).  The USMB was disbanded by 1982, and a quarter-century later, use of the metric system in the U.S. is incomplete and irregular at best.

So the ñ survives, and in the process has become much more than a mere letter. In both the Spanish-speaking world and in the U.S. (which, in truth, is part of that world, having some 40 million inhabitants for whom Spanish is either the sole, dominant, or maternal language), this letter symbolizes a language, a culture, a population. Thus, the weekly cultural supplement of Buenos Aires’s Clarín, one of Latin America’s largest-circulation daily newspapers, called Ñ, is now in its tenth year.  On its logo, cable network CNN en Español uses a large tilde (the ‘squiggle’) over both N’s. In 1999, Newsweek touted ‘Generation Ñ’, a phrase coined by Cuban-American publisher Bill Teck to name the magazine he founded, aimed at young North Americans of Latin American descent.

A series of little accidents, circumstances, and oddities of language and history led here: the double ‘N’ consonant in certain Latin words inherited by Spanish, palatalization leading to the ‘ny’ sound, the placing of one of the N’s atop the other… let bake for several centuries, turn up the heat of globalization and the imposition of standards, leading to the assertion of the rising cultural, demographic, and economic power of Spain, Latin America, and U.S. Hispanics/Latinos—and a once quaint and humble letter stands tall and looms large now, a sort of ambassador for an entire language and culture.

Pablo J. Davis, Ph.D., C.T. is Principal and Owner of Interfluency Translation+Culture (TM), which delivers Spanish and English translation solutions as well as interactive, inspiring cultural training.

Filed Under: Interflows Language+Culture Blog Tagged With: "Pablo J. Davis", alphabet, cultura, culture, Davis, English, español, globalization, Hispanic, hispanos, immigration, inglés, Interfluency, Latino, latinos, letters, ñ, Pablo, paleography, phonetics, Spanish, translation

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