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2012-05-04 by Pablo J. Davis Leave a Comment

Cinco de Mayo not the ‘real’ Mexican national day?

The sense of shared identity that binds an immigrant group together in its adopted home is no mere transplanting of old-country customs.  It involves creativity and innovation—and a dual process of celebrating ancestral ties while affirming group emergence into the fabric of life in the new country.

Calabrians, Sicilians, Tuscans, Abruzzians and other immigrants from the Italian Peninsula began to draw together in the late-19th-century U.S., just when a unified ‘Italy’ was being born.  Columbus Day, Oct. 12 (also, later, ‘Día de la Raza’ or ‘Day of the Hispanic/Latino People’) grew by the 20th century into an Italian-American affirmation.  For the Irish, whose history of mass immigration here is a half-century older, St. Patrick’s (St. Paddy’s) Day plays a similar role, as has Oktoberfest for German-Americans.

So, curious Americans’ periodic discovery that Cinco de Mayo –the Fifth of May—isn’t the ‘real’ Mexican national holiday (that would be Independence Day, Sep. 16), somewhat misses the point of the day: the affirmation of Mexicanness in a new land.

It commemorates not Mexico’s winning of independence from Spain (1821) but a more complex historical moment: Liberals’ 1862 military victory in the Battle of Puebla over French invaders and their Conservative allies.  Starting in the mid-1840s, Mexico was wracked by a sequence of horrors unimaginable to most Americans—half of national territory lost in the U.S.-Mexican War; prolonged civil war triggered by the Liberals’ (most famously Benito Juárez’s) anti-clerical, anti-aristocratic reforms; a British-French-Spanish triple invasion, ostensibly to collect debts from a land bled dry by war; and finally a full-blown French occupation in alliance with the civil war’s defeated Conservatives.

The Mexican triumph at Puebla, against a superior French force double in size, forms an imperfect and contradictory part of the larger historical story.  Ironies abound in its celebration.  For one thing, after Puebla the French actually prevailed, ruling Mexico for three years.  Also, a key figure at Puebla, young Gen. Porfirio Díaz, later became a dictatorial president whose endless, corrupt reelections eventually triggered the Mexican Revolution.

There are more ironies: the French had long dreamed of achieving footholds in former Spanish America.  In the 1830s, geographer Michel Chevalier coined the term ‘Latin America’—a completely novel invention designed to make France’s ambitions in the Americas sound natural and logical. It caught on among many newly-independent Mexicans, Argentines, Chileans, etc.,  eagerly seeking identities separate from Spain.  Moreover, the ruler Napoleon III sent to take the Mexican throne, Maximilian, was a naïve and ill-starred monarch who proved too liberal for the Conservatives, and awkwardly solicitous of Indian and mestizo peasants’ rights.  Eventually executed, he and his wife (haunted by madness during her widowhood) became tragic, romantic figures with a contradictory place in Mexican memory.

So Cinco de Mayo is not Mexico’s national holiday, not the commemoration of independence from Spain, nor of definitive victory against the French.  But Puebla preserves the memory of an unexpected victory after a generation of endless invasion, war, and loss.  As such, it has become a forum for expression of the new and continually evolving ways of being, and proudly feeling, Mexican in the United States—as well as an opportunity, partly superficial and commercial to be sure, for Americans to interact with Mexican culture.  Literally hundreds of local celebrations across the U.S. mark the day.

In an era when Mexico’s sons and daughters here face twin scourges of economic crisis and political vulnerability unlike any in living memory , it’s possible that Cinco de Mayo has never been quite as important as it is today.

Pablo Julián Davis

Pablo J. Davis, Ph.D., CT, received his graduate training in Latin American History at Columbia and Johns Hopkins Universities and a Certificate from the University of Buenos Aires, Argentina.  He is Principal and Owner of Interfluency Translation+Culture, delivering seamless, world-class translation and interpreting to the legal community and other professions, as well as cultural awareness training.

Filed Under: Interflows Language+Culture Blog Tagged With: "Pablo J. Davis", Cinco, Cinco de Mayo, Columbus Day, comparative, comparison, cultura, culture, Davis, German, German-American, Hispanic, Hispano, history, holidays, identity, immigrants, immigration, Interfluency, Irish, Irish-American, Italian, Italian-American, Italy, Julián, Latin, Latino, Mayo, Memphis, Mexican, Mexican-American, Mexico, Oktoberfest, Pablo, Pablo Julián Davis, St. Paddy's, St. Patrick's Day, States, traducción, traductor, translation, translator, United, United States, USA

2011-12-13 by Pablo J. Davis Leave a Comment

When does Tuesday=Friday? More adventures in translating culture!

Imagine you’re translating a document, from English into Spanish. Say it’s a letter, dated Tuesday, December 13, 2011 (that’s today).  How do you translate that into Spanish? Well, that’s not too difficult: you’d render it as ‘martes, 13 diciembre 2011′, or perhaps ‘martes, 13 de diciembre de 2011′.

Martes 13, Tuesday the 13th: a combination of day and date that run afoul of widely-held popular superstition in the Spanish-speaking world.

(Wall calendar for January 1931, a month with a ‘martes 13′ – Tuesday the 13th. By the famed artist and cartoonist Florencio Molina Campos, whose humorous but loving depictions of old-time scenes and characters of the  Pampa have adorned wall calendars in Argentina for the better part of a century.) 

The bad luck commonly held to attach to ‘martes 13′ actually comes in a double dose. To the triskadekafobia (a terrific Greek word, composed of thirteen+fear, that has the lovely property of sounding exactly like the thing it designates) that Hispanic/Latin American culture shares with Anglo-Saxon and many others across the world, is added a negative apprehension surrounding Tuesday. Tuesday aversion is not common in the English-speaking world (though in the cycle of the work week, it’s certainly not many people’s favorite day). Think of the nursery rhyme foretelling a child’s fortune from the day of its birth (“Tuesday’s child is full of grace…”), or old Solomon Grundy who was ”christened on Tuesday”.

In Spanish, though, the name for the second day following the Christian Sabbath is martes, Mars’s Day.  Around this deity, most commonly known as the Roman god of war (equivalent to the Greeks’ Ares), spin a series of negative qualities: aggression, duplicity, hostility, selfishness. Reputedly despised by both his parents, Zeus and Hera, Mars could be worshipped for his valor and power (and apparently Venus did so), but perhaps more often feared. Herein lies at least part of the reason why Tuesday’s stock is so low in Hispanic-Latin American culture. “Día martes,” goes the well-known folk saying reflecting this, “no te cases ni te embarques” [On Tuesday, marry not nor set sail].

So, thinking of all these associations, let’s go back to our little translation problem. Only now, let’s imagine the year is not 2011 but rather 1980, and what we need to ‘move across’ (the original, physical meaning of ‘translate‘) from English to Spanish is not the date of a letter but the title of a movie. Specifically, director Sean Cunningham’s newly-released horror flick Friday the 13th (still with us almost a third of a century later, having reached twelve installments and a grand total of eleven different directors; is anyone truly in suspense over whether there will be a Part 13?).

With strict ‘dictionary accuracy’, we could release the film under the title Viernes 13.  But to tap into the deeper resonances within Hispanic/Latin American culture, maybe we would better off shifting the day of the week to Tuesday and rendering the title as Martes 13.  And that’s exactly what happened in Peru, Argentina, Uruguay, and other countries of the Spanish-speaking world. However, the direct or ‘dictionary’ translation was used in still other countries, including Mexico and Spain.

One result of this convoluted set of circumstances: the association of Friday the 13th with bad luck, not native to Hispanic/Latin American culture, has to some extent been ‘imported’ from the English-speaking world—due to the power of what is often called popular, and might more accurately be termed commercial, culture.

And, let us not forget, it’s due also to the influence of an often overlooked group of ‘unacknowledged legislators’: members of the translators’ profession, whose decisions can have a significant impact on human affairs. What’s at stake is clearer when we think of the texts of laws and treaties, or the way that a statesman’s words are translated in a tense international negotiation. But even in this seemingly trivial example of a movie title, there are ‘real world’ implications. People’s likelihood of making certain personal or economic decisions—travel, a purchase, an apartment rental—is influenced by beliefs regarding numbers, dates, days of the week.

More adventures in the world of translation, this science, craft, and art all at the same time! And never more challenging than when cultural phenomena are what we’re translating.

Filed Under: Interflows Language+Culture Blog Tagged With: cultural, culture, Davis, English, English-Spanish, español, folk, Hispanic, inglés, Julián, Latin, Latin American, Latino, Memphis, Pablo, Pablo Julián Davis, Spanish, Spanish-English, Tennessee, traducción, traductor, translation, translators

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