Enlace para español/Link here for Spanish
Some stories are original. Some are classics in the public domain. Some brim with illustrations, some are for coloring. The variations are endless. But the covers are all made of recycled cardboard, with hand-painted titles and artwork. Each one’s a personal statement—a true original. Introducing the “Cartonera” phenomenon! This truly grassroots movement was born in Argentina during the early 2000’s economic crisis. Cartoneras are cooperative, neighborhood-based publishing ventures. They’ve spread throughout Latin America. Now the movement has caught on here with the founding of “Memphis Cartonera” by Rhodes College students and local nonprofits. Dr. Elizabeth Pettinaroli, a Spanish literature and language professor at Rhodes who conducted field research on cartoneras in Argentina, Chile, Uruguay, and Paraguay, has coordinated these efforts and led the mobilization of community partners. It’s about rethinking art and literature’s place in our lives, fostering creativity, literacy, and sustainability. This spring’s ongoing workshops: Centro Cultural (Cartonera comics), Cazateatro Bilingual Theater (Cartonera for adults/kids), Danza Azteca Quetzalcoatl (Spanish/Nahua poetry workshop), Refugee Empowerment Program (kids afterschool program), Latino Memphis/Abriendo Puertas (high-schoolers workshop), Caritas Village (Cartonera photo books for afterschool reading program). A chance to learn more, talk with participants, and enjoy viewing some of the creations so far will be on Sat., Apr. 23 (6-9pm) at StoryBooth, 431 N. Cleveland in Crosstown Arts: the Memphis Cartonera opening party and exhibition. Free and open to the public. Attendees can paint, read, and make their own Cartonera book! The event continues Sun,. Apr. 24 (12-5pm). Further info: Dr. Elizabeth Pettinaroli, 901-843-3828, pettinarolie@rhodes.edu. Sponsored by Rhodes College. |
Archives for April 2016
The first of April, fools and innocence
Enlace para español/Click here for Spanish
Dear reader,
It’s not a holiday, school kids don’t get the day off, stores don’t hold sales—but April First is widely loved.
April Fool’s Day is a day for telling false tales with a straight face—and, if the victim falls for it, crowing “April Fool!” at your gullible listener. (French “Poisson d’Avril!” and Italian “Pesce d’aprile!¨ both mean “April fish”).
April Fool jokes can be in print too; many newspapers traditionally added a false front page over the real one, with absurd, fake news. A few papers still do it.
This US election campaign will be tough on April Fool pranksters—who can top the absurdity of the actual, real news?
In the Spanish-speaking world, though US influence has spread “El Día de los Tontos” somewhat, the real equivalent is Dec. 28, Día de los Santos Inocentes.
This light-hearted festival has a dreadful origin: the Biblical massacre of infants ordered by King Herod, who hoped the Baby Jesus would be among those slain. Christianity’s Feast of the Holy Innocents commemorates these martyrs.
From those tragic innocents to the innocent victims of the creative lies of Dec. 28 is quite a jump. But that’s how popular culture adapted and transformed that ancient religious commemoration.
When someone falls for a Dec. 28 gag, the traditional gloat is “Que la inocencia te valga” (May your innocence do you good).
The tall tale can be called a “joke” (Span. chiste, broma), “practical joke” or “prank” (broma pesada). If it’s elaborately constructed, uses print or other media, and is meant to snare a large number of people, it’s a “hoax.” In Spanish, Dec. 28 jokes in particular are often called inocentadas, playing off the day’s name.
On a serious note, did you hear about the Trump-Sanders “national unity ticket”? And that Apple is giving away free iPads to commemorate Steve Jobs’s birthday? ¡Que la inocencia te valga!
Buenas palabras/Good words!
Pablo
An earlier version of this essay originally appeared in the Mar. 25-31, 2015 edition of La Prensa Latina (Memphis, Tennessee) as number 174 in the weekly bilingual column, “Misterios y Engimas de la Traducción/Mysteries and Enigmas of Translation”. Pablo Julián Davis, PhD, CT is an ATA (Aamerican Translators Association) Certified Translator, Engl>Span; a Tennessee State Courts Certified Interpreter, Engl<>Span; and an innovative trainer in the fields of translation, interpreting, and intercultural competency, with over 25 years experience. He holds the doctorate in Latin American History from The Johns Hopkins University, and is a Juris Doctor Candidate at the Cecil C. Humphreys School of Law, University of Memphis (May 2017).